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The Self-portrait of 1613–1614 is the first surviving self-portrait by the Flemish artist Anthony van Dyck, showing him aged about fifteen.At that date he was still working for Hendrick van Balen but was about to join Peter Paul Rubens's studio. [1]
Portrait of a Lady: ca. 1620 Legion of Honor Museum, Fine Arts Museums of San Francisco: San Francisco USA: Oil on Canvas 148 x 109.2 cm Portrait of Cornelis van der Geest: ca. 1620 National Gallery: London GBR: Oil on wood: 37.5 cm (14.8 in) × 32.5 cm (12.8 in) Self-portrait 1620–21: 1620–1621 Metropolitan Museum of Art: New York City USA ...
Sir Anthony van Dyck (/ v æ n ˈ d aɪ k /; Dutch: Antoon van Dyck [ˈɑntoːɱ vɑn ˈdɛik]; [a] 22 March 1599 – 9 December 1641) [3] was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The self-portrait was probably painted by van Dyck during the winter of 1620–1621, which the artist spent in London.Van Dyck chose to portray himself as a country gentlemen dressed in fine clothes; he likely acquired these clothes due to his father being a wealthy clothier.
Self-Portrait with a Sunflower is a self-portrait by Anthony van Dyck, a Flemish Baroque artist from Antwerp, then in the Spanish Netherlands. The oil on canvas painting is generally between 1632 and 1633. His successful ventures in the Spanish Netherlands and Italy propelled van Dyck into a career as court painter. [1]
Self-portrait; Sir Anthony van Dyck: Artist: Anthony van Dyck Year: c. 1640: Medium: oil paint, canvas: Dimensions: 56.0 cm (22.0 in) × 46.0 cm (18.1 in) Location: National Portrait Gallery, United Kingdom : Owner: Alfred Bader, Philip Mould Collection: National Portrait Gallery, Johnny Van Haeften Gallery Identifiers: RKDimages ID: 122744
Actor Dick Van Dyke arrives for the 43rd Kennedy Center Honors at the Kennedy Center in Washington, D.C. on May 21, 2021.
It is van Dyck's only self-portrait to include another figure, showing Porter's importance in his life. The pair had first met in 1620, during van Dyck's first stay in London. Porter was Charles I of England's main art dealer, negotiating to acquire the vast art collection of the Duke of Mantua and also collecting art for himself.
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