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The pattern of a music piece's rhythm of strong and weak beats mezza voce Half voice (i.e. with subdued or moderated volume) mezzo Half; used in combinations like mezzo forte (mf), meaning moderately loud mezzo forte (mf) Half loudly (i.e. moderately loudly). See dynamics. mezzo piano (mp) Half softly (i.e. moderately soft). See dynamics. mezzo ...
A soprano whose voice, while normally of lyric weight and fluidity, can be pushed to a more forceful weight Squillo: ringing: The resonant clarity of an operatic singer's voice Tenore contraltino: A tenor voice capable of a slightly higher range of sustainable notes than usual Tenore di grazia or Leggiero tenor: tenor of grace or lightweight tenor
Spem in alium (Latin for "Hope in any other") is a 40-part Renaissance motet by Thomas Tallis, composed in c. 1570 for eight choirs of five voices each.It is considered by some critics to be the greatest piece of English early music.
"Gwahoddiad" The Roberts (Gwyllt) translation has four verses. The first verse is a virtual equivalent of Hartsough's original (see infra).Roberts essentially skipped Hartsough's second verse and then conflated the remaining three verses into similar but not verbatim thoughts matching Welsh to the metrical pattern of Hartsough's tune.
The motet is written for four voices, soprano, alto, tenor, and bass. It is set in imitative polyphony throughout, with attention to the meaning of the text in subtle word-painting . For the word " desiderat ", expressing longing, the pace is faster, and the melody rises, reaching its peak on the word " fontes " (streams, water, fountains).
Sancta Maria is a Latin-language soprano aria arranged by Steven Mercurio based on the Intermezzo from the opera Cavalleria Rusticana, [1] composed by Pietro Mascagni. [2] It uses some of the same lyrics as Ave Maria and has become a popular concert piece.
"Song for Athene", which has a performance time of about seven minutes, is an elegy consisting of the Hebrew word alleluia ("let us praise the Lord") sung monophonically six times as an introduction to texts excerpted and modified from the funeral service of the Eastern Orthodox Church and from Shakespeare's Hamlet (probably 1599–1601). [4]
"La voce del silenzio" (Italian: [la ˈvoːtʃe del siˈlɛntsjo]; English: "The Voice of Silence") is a 1968 song composed by Elio Isola (music), Paolo Limiti and Mogol (lyrics). The song premiered at the 18th edition of the Sanremo Music Festival with a double performance of Tony Del Monaco and Dionne Warwick , placing at the 14th place with ...
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