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Mystic Marriage of Saint Catherine or Mystic Marriage of Saint Catherine with Saints is a c.1510–1511 oil on canvas painting by Correggio, now in the National Gallery of Art in Washington. [1] Its central group is a Metterza , with Catherine of Alexandria kneeling before them and saints Francis of Assisi and Dominic to either side.
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Mystic Marriage of Saint Catherine or Mystic Betrothal of Saint Catherine is a 1567-1570 oil on panel painting by Giovanni Battista Moroni, produced for the side-altar of Catherine of Alexandria in the church of San Bartolomeo, parish church of Almenno San Bartolomeo, where it still hangs.
Mystic Marriage of Saint Catherine of Alexandria with Saint Sebastian; Mystic Marriage of Saint Catherine: Artist: Antonio da Correggio Year: c. 1527: Dimensions: 105 cm (41 in) × 102 cm (40 in) Identifiers: Joconde work ID: 000PE024813
The painting shows the virgin Mary holding the Christ child on her knees while the child celebrates the symbolic mystical marriage of Saint Catherine of Alexandria by offering her a ring. St. St. Catherine, kneeling before the Christ child, wears a wide fur-lined rose cloak and gilt crown; her long, blond hair is an attribute of aristocratic ...
Mystic Marriage of Saint Catherine is a c.1390 fresco fragment by Spinello Aretino. It was originally discovered in the Bartolini Salimbeni Chapel with the sinopia below Lorenzo Monaco 's frescoes in 1961 and is now in the nearby Cialli-Seringi Chapel in Santa Trinita in Florence.
In this depiction of the mystical marriage of Saint Catherine of Alexandria, the saint kneeling accepts from the child Jesus a rose, the latter symbol of love and martyrdom; in her left hand is a marital ring. Hanging from a sash is a purse with the name of Christ; the sash has a medallion with an angel holding a balance.
It shows the Mystic Marriage of Saint Catherine, a subject repeatedly returned to by the artist, such as in a c.1547–1550 work by the artist. It is one of the most successful variants on Titian 's 1519–1526 Pesaro Altarpiece for Santa Maria Gloriosa dei Frari , also in Venice, using the same asymmetric diagonal composition with the Madonna ...
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