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A closed curved stroke is a bowl in b d o p q D O P Q; B has two bowls. A bowl with a flat end as in D P is a lobe. [8] A trailing outstroke, as in j y J Q R is a tail. The inferior diagonal stroke in K is a leg. [9] The bottom of the two-story g is a loop; the very short stroke at the top is the ear. [10] The letters i j each have a dot or ...
The margin helps to define where a line of text begins and ends. When a page is justified the text is spread out to be flush with the left and right margins. When two pages of content are combined next to each other (known as a two-page spread), the space between the two pages is known as the gutter. [2] (Any space between columns of text is a ...
Most full-feature word processors and page layout applications include an automatic paragraph setting that prevents widows and orphans; thus, an orphan is forced to the top of the next page or column; and the text line preceding a widow is forced to the next page or column. In technical writing, where a single source may be published in ...
The title traditionally appears on the page as a single line in capital letters, but modern half title pages may be scaled-down versions of the typography from the full title page. The half title page faces a blank verso or an endpaper. [5] Frontispiece: Author or publisher: A decorative illustration on the verso facing the title page.
Pages 1 and 16, for example, are printed on the same side of the physical sheet of paper, combining recto and verso sides of different leaves. The number of pages in a book using this binding technique must thus be a multiple of four, and the number of leaves must be a multiple of two, but unused pages are typically left unnumbered and uncounted.
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Box-drawing characters, also known as line-drawing characters, are a form of semigraphics widely used in text user interfaces to draw various geometric frames and boxes. These characters are characterized by being designed to be connected horizontally and/or vertically with adjacent characters, which requires proper alignment.
The compositor assembled these sorts into words, then lines, then pages of text, which were then bound tightly together by a frame, making up a form or page. If done correctly, all letters were of the same height, and a flat surface of type was created. The form was placed in a press and inked, and then printed (an impression made) on paper. [3]