Search results
Results from the WOW.Com Content Network
The Rite of Spring [n 1] (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky.It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich.
The idea for such a work had occurred to Stravinsky while still working on The Firebird, but Stravinsky felt the need to write something unrelated to the theater and conceived an orchestral work in which the piano would have a prominent part: Stravinsky himself used the word Konzertstück for the composition. [1]
The second new work was Stravinsky's The Rite of Spring given under the French title, Le sacre du printemps. Monteux had been appalled when Stravinsky first played the score at the piano: I decided then and there that the symphonies of Beethoven and Brahms were the only music for me, not the music of this crazy Russian. ...
The Rite of Spring is a one-act ballet created by Kenneth MacMillan in 1962 for the Royal Ballet, set to Igor Stravinsky's The Rite of Spring (1913). The conductor was Colin Davis, and the designs were by Sidney Nolan. The first performance was given at the Royal Opera House, Covent Garden on 3 May 1962.
Their repertoire ranges from beloved concert hall staples, such as Igor Stravinsky's The Rite of Spring, Gershwin's Rhapsody in Blue, and Grieg's In the Hall of the Mountain King to lesser known works like Nico Muhly's Edge of the World and John Novacek's Reflections on Shenandoah. In addition to their work on five pianos, The 5 Browns perform ...
The concerto, as described in its name, is scored for solo piano accompanied by an ensemble of wind instruments.The instrumentation of the wind section is what would be found in a standard symphony orchestra: two flutes, piccolo, two oboes, cor anglais, two clarinets, two bassoons (second bassoon doubling contrabassoon), four horns, four trumpets, three trombones, and tuba.
Stravinsky's The Rite of Spring is widely credited with popularizing bitonality, and contemporary writers such as Casella (1924) describe him as the progenitor of the technique: "the first work presenting polytonality in typical completeness—not merely in the guise of a more or less happy 'experiment', but responding throughout to the demands ...
The critic Malcolm Cook said that "with its folk-music motifs and the infamous 1913 Paris riot securing its avant-garde credentials, Stravinsky's The Rite of Spring engaged in Primitivism in both form and practice" while remaining within the technical praxes of Western classical music. [7] The primitivism movement is not just limited to Europe.