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Daft Club is the first remix album by the French electronic music duo Daft Punk, released on 1 December 2003 by Virgin Records.The album features numerous remixes of tracks from their second album, Discovery (2001), and one from their debut, Homework (1997).
Human After All is the third studio album by French electronic music duo Daft Punk, first released on 14 March 2005 through Virgin Records.Unlike their previous studio album Discovery (2001), whose sound was inspired by disco and garage house and produced over the period of two years, Human After All was more minimalistic and improvisational with a mixture of heavier guitars and electronics ...
Daft Punk partnered with the Japanese manga artist Leiji Matsumoto to create Interstella 5555, a feature-length animation set to Discovery. The first four episodes were shown on Toonami in 2001, and the finished film was released on DVD in 2003. [28] That December, Daft Punk released Daft Club, a compilation of Discovery remixes. [29]
On 28 September 2023, Daft Punk announced another anniversary reissue, a remix album called Random Access Memories (Drumless Edition). It was released on 17 November 2023 and includes the original 13 album tracks without any drum or percussive elements.
Alive 1997 is the first live album by French electronic music duo Daft Punk, released on 1 October 2001 by Virgin Records. It contains a 45-minute excerpt of a live performance recorded during Daftendirektour at Birmingham's Que Club on 8 November 1997. The album was generally positively received by critics.
It’s Bangalter’s first substantive set of new music since Daft Punk’s split. Here is the track list for Random Access Memories 10th Anniversary Edition : “Give Life Back to Music”
"Aerodynamic" is an instrumental track by French duo Daft Punk, featuring a prominent guitar solo. The track was released on 28 March 2001 as the second single from the Discovery album. "Aerodynamic" hit the U.S. dance charts through club play as the B-side to "Digital Love".
For this tour, Daft Punk used their home studio equipment for the live stage. As Thomas Bangalter of the duo stated, "Everything was synched up—the drum machines, the bass lines. The sequencer was just sending out the tempos and controlling the beats and bars.