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Content, on the other hand, refers to a work's subject matter, i.e., its meaning. [2] [3] But the terms form and content can be applied not only to art: every meaningful text has its inherent form, hence form and content appear in very diverse applications of human thought: from fine arts to even mathematics and natural sciences. Even more, the ...
Aestheticians and art philosophers often engage in disputes about how to define art. By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal ...
The Art of Painting by Jan Vermeer. The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought.
Rumination appears closely related to worry. Rumination is the focused attention on the symptoms of one's mental distress. In 1998, Nolen-Hoeksema proposed the Response Styles Theory, [1] [2] which is the most widely used conceptualization model of rumination. However, other theories have proposed different definitions for rumination.
"Art Matters: A Critical Commentary on Heidegger's Origin of the Work of Art", Springer Science and Business Media, 2009; Babich, Babette E. "The Work of Art and the Museum: Heidegger, Schapiro, Gadamer", in Babich, 'Words In Blood, Like Flowers. Philosophy and Poetry, Music and Eros in Hoelderlin, Nietzsche and Heidegger' (SUNY Press, 2006)
Sphera volgare, featuring the Sun, the Moon, the winds and the stars as living. Woodcut illustration from an edition of De sphaera mundi, Venice, 1537.. Hylozoism is the philosophical doctrine according to which all matter is alive or animated, [clarification needed] [1] either in itself or as participating in the action of a superior principle, usually the world-soul (anima mundi). [2]
The Flagellation of Christ by Piero della Francesca (above) demonstrates in a single small work many of the themes of Italian Renaissance painting, both in terms of compositional elements and subject matter. Immediately apparent is Piero's mastery of perspective and light.
The supreme condition is suggested in this work by the great figure whose head in the upper triangle is lost in the glory of the Sun above, and whose feet are in the lower triangle in the waters of Space, symbolizing Spirit and Matter. His wings fill the middle region representing the motion or pulsation of cosmic life, while within the octagon ...