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Aestheticians and art philosophers often engage in disputes about how to define art. By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal ...
The Art of Painting by Jan Vermeer. The term composition means "putting together". It can be thought of as the organization of the elements of art according to the principles of art. Composition can apply to any work of art, from music through writing and into photography, that is arranged using conscious thought.
Rumination appears closely related to worry. Rumination is the focused attention on the symptoms of one's mental distress. In 1998, Nolen-Hoeksema proposed the Response Styles Theory, [1] [2] which is the most widely used conceptualization model of rumination. However, other theories have proposed different definitions for rumination.
That is why historical definitions of art must also include a disjunct for first art: Something is art if it possesses a historical relation to previous artworks, or is first art. The philosopher primarily associated with the historical definition of art is Jerrold Levinson (1979). For Levinson, "a work of art is a thing intended for regard-as ...
An important factor to consider in discussion of artistic integrity is context in terms of not only the historical zeitgeist but more prominently the community and artists’ respective cultural and personal understanding of the term. If an individual is said to possess artistic integrity it does not equate to that person also possessing ...
The art historian Jennifer Raab of Yale University describes it as inherently contradictory: "it can delineate difference or emphasize unity". [2] She furthers that "the detail always points away from itself to something else–to other parts of a picture, to the work of art as a whole".
"Art Matters: A Critical Commentary on Heidegger's Origin of the Work of Art", Springer Science and Business Media, 2009; Babich, Babette E. "The Work of Art and the Museum: Heidegger, Schapiro, Gadamer", in Babich, 'Words In Blood, Like Flowers. Philosophy and Poetry, Music and Eros in Hoelderlin, Nietzsche and Heidegger' (SUNY Press, 2006)
In his 1914 book, Art, Bell postulated that for an object to be deemed a work of art it required potential to provoke aesthetic emotion in its viewer, a quality he termed "significant form." [ 2 ] Bell's definition explicitly separated significant form from beauty ; in order to possess significant form, an object need not be attractive as long ...