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The culture of Mongolia has been shaped by the country's nomadic tradition and its position at the crossroads of various empires and civilizations. Mongolian culture is influenced by the cultures of the Mongolic , Turkic , and East Asian peoples, as well as by the country's geography and its history of political and economic interactions with ...
Muslim and Turkic names also declined (Akbarjin, Ismayil or Arghun), leaving primarily the auspicious Mongolian names similar to those in the early empire. For example, some of the later Mongolian Emperors' names include Batumöngke, Buyan, Esen, Toγtoγa Buqa and Manduul. Mongol name customs also affected the nations under Mongol rule.
Naadam is the most widely watched festival among Mongols and is believed to have existed for centuries in one fashion or another. It has its origin in the activities, such as military parades and sporting competitions such as archery, horse riding and wrestling, that followed the celebration of various occasions, including weddings or spiritual gatherings.
The reindeer and the Dukha are dependent on one another. Some Dukha say that if the reindeer disappear, so too will their culture. The reindeer are domesticated and belong to the household. In many ways they are treated like family members and shown respect. The community's chores and activities center on the care and feeding of their reindeer ...
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Noting that the IISNC organized an international symposium [note 1] in Mongolia to promote dialogue among civilizations, Jargalsaikhan Enkhsaikhan stated that dialogue between civilizations is a fundamental requirement to prevent conflicts which, according to him, is one of the primary objectives of the United Nations.
Mongolian shamanism, more broadly called the Mongolian folk religion, or occasionally Tengrism, refers to the animistic and shamanic ethnic religion that has been practiced by the Mongols at least since the age of recorded history. The Mongolian name of the practice is Böö mörgöl (Бөө мөргөл). In the earliest known stages it was ...
Her early works dealt mainly with themes of Mongolian national and cultural identity and the struggles of young adults living in modern-day Mongolia. In 2009, she and her daughter Amina translated The Diary of a Young Girl by Anne Frank ( Анне Франкийн өдрийн тэмдэглэл ) into Mongolian.