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Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. The advent of the domestic tragedy ushered in the first phase shift of the genre focusing less on the Aristotelian definition of the genre and more on the definition of tragedy on the scale of the ...
A tragedy is an event of great loss, usually of human life. Such an event is said to be tragic . Traditionally, the event would require "some element of moral failure, some flaw in character, or some extraordinary combination of elements" [ 1 ] to be tragic.
This list of wars by death toll includes all deaths directly or indirectly caused by the deadliest wars in history. These numbers encompass the deaths of military personnel resulting directly from battles or other wartime actions, as well as wartime or war-related civilian deaths, often caused by war-induced epidemics, famines, or genocides.
This is a list of accidents and disasters by death toll.It shows the number of fatalities associated with various explosions, structural fires, flood disasters, coal mine disasters, and other notable accidents caused by negligence connected to improper architecture, planning, construction, design, and more.
An ivory statuette of a Roman actor of tragedy, 1st century. A Roman actor playing Papposilenus, marble statue, c. 100 AD, after a Greek original from the 4th century BC. No early Roman tragedy survives, though it was highly regarded in its day; historians know of three early tragedians—Ennius, Pacuvius and Lucius Accius. One important aspect ...
The Bacchae (/ ˈ b æ k iː /; Ancient Greek: Βάκχαι, Bakkhai; also known as The Bacchantes / ˈ b æ k ə n t s, b ə ˈ k æ n t s,-ˈ k ɑː n t s /) is an ancient Greek tragedy, written by the Athenian playwright Euripides during his final years in Macedonia, at the court of Archelaus I of Macedon.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play.
Nietzsche found in classical Athenian tragedy an art form that transcended the pessimism and nihilism of a fundamentally meaningless world. Originally educated as a philologist, Nietzsche discusses the history of the tragic form and introduces an intellectual dichotomy between the Dionysian and the Apollonian (very loosely: reality as disordered and undifferentiated by forms versus reality as ...