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What Makes You Beautiful" also debuted at number 1 on the Scottish Singles Chart. [40] "What Makes You Beautiful" was the 20th best-selling single of 2011, moving 540,000 copies, [41] and was the 92nd best-selling single of the 21st century in the UK by May 2012. [42] It has sold over 1,000,000 copies in the UK. [43]
In tonal music, chord progressions have the function of either establishing or otherwise contradicting a tonality, the technical name for what is commonly understood as the "key" of a song or piece. Chord progressions, such as the extremely common chord progression I-V-vi-IV, are usually expressed by Roman numerals in
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
This motif also appears in measures 6, 10, and 12, several times later in the work, [clarification needed] and at the end of the last act.. Martin Vogel [] points out the "chord" in earlier works by Guillaume de Machaut, Carlo Gesualdo, J. S. Bach, Mozart, Beethoven, or Louis Spohr [1] as in the following example from the first movement of Beethoven's Piano Sonata No. 18:
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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
This is described as "beautiful" and "modern sounding." [1] The notes that make up the Lydian chord represent five of the seven notes of the Lydian mode, and the ♯ 11 at the top of the chord is the ♯ 4 (one octave higher) that distinguishes the Lydian mode from the major scale.
Piano Sonata No. 16 in C major, K. 545 (so-called facile or semplice sonata; Vienna, June 26, 1788) Piano Sonata No. 17 in B ♭ major, K. 570 (Vienna, February, 1789) Piano Sonata No. 18 in D major, K. 576 (Vienna, July 1789)
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