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Dhāraṇī sutras are Mahayana sutras that focus on specific dhāraṇīs (recitations, chants, incantations, spells), which are mostly in some form of Buddhist Hybrid Sanskrit. Dhāraṇīs are understood as having various magical powers, including protection against evil, purification, promotion of good rebirth, generation of merit, and even ...
The Mahāyāna-sūtrālamkāra, written in verse, presents the Mahayana path from the Yogacara perspective. It comprises twenty-two chapters with a total of 800 verses and shows considerable similarity in arrangement and content to the Bodhisattvabhūmiśāstra , although the interesting first chapter proving the validity and authenticity of ...
In the Kongō Range surrounding Osaka, Japan, the Katsuragi 28 Shuku is a series of sutra mounds corresponding to each of the twenty-eight chapters of the Lotus Sutra. According to legend, each chapter of the Lotus Sutra was buried in a separate location by En no Gyoja, the mythical 7th-century founder of Shugendō. [257] [258] [259] [260]
[190] [191] Some influential Mahāyāna sutras are the Prajñaparamita sutras such as the Aṣṭasāhasrikā Prajñāpāramitā Sūtra, the Lotus Sutra, the Pure Land sutras, the Vimalakirti Sutra, the Golden Light Sutra, the Avatamsaka Sutra, the Sandhinirmocana Sutra and the Tathāgatagarbha sūtras.
The sutra states that during the age of Dharma decline, the Mahayana sutras will be lost (including the Nirvana sutra itself), false teachings will spread, and monks will act unethically, owning servants, cattle and horses, and engaging in lay jobs like farming, smithing, painting, sculpture and divination (instead of focusing on the Dharma). [4]
Sutra (Sanskrit: सूत्र, romanized: sūtra, lit. 'string, thread') [1] in Indian literary traditions refers to an aphorism or a collection of aphorisms in the form of a manual or, more broadly, a condensed manual or text. Sutras are a genre of ancient and medieval Indian texts found in Hinduism, Buddhism and Jainism. [1] [2]
The sutra remains influential in Nepalese Buddhism, where it is one of the nine principal Mahayana texts (the "nine Dharmas") in that tradition, which include the four texts cited above as well as the Saddharmapuṇḍarīka (The White Lotus of the Good Dharma), Lalitavistara (The Play in Full), Tathāgataguhyaka (The Secret of the Tathāgatas ...
Various Huayan masters saw the Lotus sutra as a sutra of definitive (ultimate) meaning alongside the Avatamsaka. [95] Fazang also considered the Lankavatara sutra to be a definitive sutra, and he wrote a commentary on it. [96] [97] The Sutra of Perfect Enlightenment was also particularly important for the Huayan patriarch Zongmi.