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2. Kathy Grove - Wikipedia

   en.wikipedia.org/wiki/Kathy_Grove

   Kathy Grove (born 1948) is an American conceptual feminist photographer. As a professional photo retoucher for fashion magazines, Grove became familiar with airbrushing and photo manipulation techniques in that industry. [1]

3. Cindy Sherman - Wikipedia

   en.wikipedia.org/wiki/Cindy_Sherman

   In addition to numerous group exhibitions, Sherman's work was the subject of solo exhibitions at the Stedelijk Museum in Amsterdam (1982), [75] Whitney Museum of American Art in New York (1987), [76] Kunsthalle Basel (1991), [77] Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1995), [78] the San Francisco Museum of Modern Art (1998 ...

4. Lene Marie Fossen - Wikipedia

   en.wikipedia.org/wiki/Lene_Marie_Fossen

   She started learning photography as a teenager. The main focus of her work was black-and-white portraits of people. ... Further exhibitions of her photography art ...

5. Portrait painting - Wikipedia

   en.wikipedia.org/wiki/Portrait_painting

   Many modernists flocked to the photography studios to have their portraits made, including Baudelaire who, though he proclaimed photography an "enemy of art", found himself attracted to photography's frankness and power. [84] By providing a cheap alternative, photography supplanted much of the lowest level of portrait painting.

6. List of women photographers - Wikipedia

   en.wikipedia.org/wiki/List_of_women_photographers

   Ianna Andreadis (born 1960), combines photography with her interest in archaeology, also landscapes from southern Africa; Venia Bechrakis (fl 2000s), artist and fine art photographer; Mary Kay (fl 2000s), landscape photographer; Nelly's (1899–1998), noted for her Greek temples, Berlin Olympics, later advertising, photo-reportages in the ...

7. Thanaka - Wikipedia

   en.wikipedia.org/wiki/Thanaka

   Village girls wearing thanaka at Ava, Burma. Thanaka (Burmese: သနပ်ခါး; MLCTS: sa.nap hka:; pronounced [θənəkʰá]) is a paste made from ground bark.It is a distinctive feature of the culture of Myanmar, seen commonly applied to the face and sometimes the arms of women and girls, and is used to a lesser extent also by men and boys.