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2. File:LIFE magazine logo.svg - Wikipedia

   en.wikipedia.org/wiki/File:LIFE_magazine_logo.svg

   This logo image consists only of simple geometric shapes or text. It does not meet the threshold of originality needed for copyright protection, and is therefore in the public domain . Although it is free of copyright restrictions, this image may still be subject to other restrictions .

3. Category:Magazine logos - Wikipedia

   en.wikipedia.org/wiki/Category:Magazine_logos

   File:GAMES Magazine logo September 1985 issue masthead.png; File:GAMES Magazine logo, January-February 1978 issue masthead.png; File:GAMES World of Puzzles Magazine logo May 1994 issue masthead.png; File:GAMES World of Puzzles Magazine logo October 2014 issue masthead.png; File:Gamest logo.svg; File:Guardian Life Magazine.jpeg

4. Lato (typeface) - Wikipedia

   en.wikipedia.org/wiki/Lato_(typeface)

   Lato has been used in various physical publications, including information signs and election campaign billboards. [6] It is the main font used on iCollege, Georgia State University's primary learning management system, and the official typeface of the Polish Government, the Polish bank Bank Pekao and for the graphics package of Polish TV station Polsat from 2019 until 2021.

5. Frederic Goudy - Wikipedia

   en.wikipedia.org/wiki/Frederic_Goudy

   Frederic William Goudy (/ ˈ ɡ aʊ d i / GOW-dee; [2] March 8, 1865 – May 11, 1947) was an American printer, artist and type designer whose typefaces include Copperplate Gothic, Goudy Old Style and Kennerley. [3]

6. ITC Avant Garde - Wikipedia

   en.wikipedia.org/wiki/ITC_Avant_Garde

   ITC Avant Garde Gothic is a geometric sans serif font family based on the logo font used in the Avant Garde magazine. Herb Lubalin devised the logo concept and its companion headline typeface, and then he and Tom Carnase, a partner in Lubalin's design firm, worked together to transform the idea into a full-fledged typeface.

7. Didot (typeface) - Wikipedia

   en.wikipedia.org/wiki/Didot_(typeface)

   Several revivals of the Didot faces have been made, first for hot metal typesetting and then for phototype and digital versions.. Digital use of Didot poses challenges. While it can look very elegant due to the regular, rational design and fine strokes, a known effect on readers is 'dazzle', where the thick verticals draw the reader's attention and cause them to struggle to concentrate on the ...