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Le jour et la nuit (French pronunciation: [lə ʒuʁ e la nɥi], Day and Night) is an opéra-bouffe with a libretto by Albert Vanloo and Eugène Leterrier and music by Charles Lecocq. It was first performed in Paris in 1881, ran for 193 performances and was subsequently staged at other theatres in Europe, North America and Australia.
Et je crois en toi comme au bonheur suprême. Je te fuis parfois, mais je reviens quand même C'est plus fort que moi… je t'aime ! Lorsque je souffre, il me faut tes yeux Profonds et joyeux Afin que j'y meure, Et j'ai besoin pour revivre, amour, De t'avoir un jour Moins qu'un jour, une heure, De me bercer un peu dans tes bras Quand mon cœur ...
1960 – Le cœur de Julie (Le cœur de Julie, Les souvenirs, La fille du meunier, Un océan d’amour) 1960 – La mer m’a donné (La mer m’a donné, C’était Johnny, Jean-Marie de Pantin, Brève rencontre) 1962 – La vie s’en va (La vie s’en va, Jupon vole, Le valet, Triste guitare) 1963 – Trois branches de lilas blanc (Trois ...
Notre amour; Le secret; Op. 24 Élégie for cello and piano (1883), orchestrated 1890; Op. 25 Impromptu No. 1 in E-flat (1881) Op. 26 Barcarolle No. 1 in A minor (1881) Op. 27 2 Mélodies (1882) Chanson d'amour; La fée aux chansons; Op. 28 Romance for violin and piano (1877) Op. 29 La naissance de Vénus (1882) Op. 30 Valse-Caprice No. 1 in A ...
A Lover's Discourse: Fragments (French: Fragments d’un discours amoureux) is a 1977 book by Roland Barthes. It contains a list of "fragments", some of which come from literature and some from his own philosophical thought, of a lover's point of view. Barthes calls them "figures"—gestures of the lover at work. [1]
Les Mystères de l'amour (English Title: Love in Paris) [1] is a French television series originally broadcast by TMC. It was created by Jean-Luc Azoulay . The original French title literally translates to The Mysteries of Love .
His novel Le Prochain amour (1997) became successful, and a short story collection, Un instant de bonheur, published in 1998, won the 'Grand Prix de la chanson de l'Académie française'. In his later career, Simon continued to compose music, but at a less regular rate, preferring to devote more time to his writing.
1952: Un beau dimanche, play in three-act and five tableaux by Jean-Pierre Aumont, after the novel Rencontre by Pierre Larthomas, 29 June; 1953: Le Ciel de lit play in three-act and six tableaux by Jan de Hartog, directed by Pierre Fresnay, 14 April; 1953: Histoire de rire, by Armand Salacrou