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The smallest pitch difference between notes (in most Western music) (e.g. F–F ♯) (Note: some contemporary music, non-Western music, and blues and jazz uses microtonal divisions smaller than a semitone) semplice Simple sempre Always sentimento Feeling, emotion sentito lit. "felt", with expression senza Without senza misura Without measure ...
The Congklak Gameboard from Indonesia c. 1900. Southeast Asian mancalas are a subtype of mancala games predominantly found in Southeast Asia. They are known as congkak in Malaysia; congklak (VOS Spelling: tjongklak), congkak, congka, and dakon in Indonesia and Brunei; and sungkâ in the Philippines. They differ from other mancala games in that ...
Congklak is a traditional game known by various names, on the Indonesian archipelago. The most common name, congklak, is taken from cowrie shell, which is commonly used to Playing Congklak. In Java, the games is known as congklak, dakon, dhakon, or dhakonan.
For ease of discussion, ligatures of different lengths have different names. A ligature with two notes is called a binaria; one with three notes, a ternaria; one with four notes, a quaternaria; and one with five notes, a quinaria. Larger ones are possible, but rare. If a ligature has three or more notes, all notes in the middle (the mediae) are B.
Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.
In music, a dyad (less commonly, diad) is a set of two notes or pitches. [1] The notes of a dyad can be played simultaneously or in succession. Notes played in succession form a melodic interval; notes played simultaneously form a harmonic interval. Dyads can be classified by the interval between the notes. [2]
A song is usually in a certain key, which is usually the note that the song ends on, and is the base frequency around which it resolves to at the end. The base-frequency is usually called the harmonic or key center. Being on-key presumes that there is a key center frequency around which some portion of notes have well defined intervals to.
Although no recordings of his work exist, a radio disk transcription of the second performance of Warsaw Ghetto exists, made in the studio a week after the premiere. [1] Morgenstern’s other books included the anthology Composers on Music (1956). [2] Harold Barlow (1915-93) devised the notation scheme.
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