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An image of the painting is difficult to fully capture with photography, particularly in the attempt to duplicate the intensity of the reflected orange and red sunset light which sparkles with scumbled paint. [2] "The painting seems to exude a rosy light that reaches out to the viewer as [one] bends forward to examine the surface", writes Gregg ...
A View of the Two Lakes and Mountain House, Catskill Mountains, Morning: 1844 Oil on canvas 91 by 136.9 centimetres (35.8 in × 53.9 in) Brooklyn Museum, New York [110] American Lake Scene: 1844 Oil on canvas 46.4 by 62.2 centimetres (18.3 in × 24.5 in) Detroit Institute of Arts, Michigan [111] The Mill, Sunset: 1844 Oil on canvas
Sunset in the Berkshire Hills: 1857: Oil on canvas: 28 + 1 ⁄ 2 in × 35 in (720 mm × 890 mm) Woodmere Art Museum, Philadelphia View of Cotopaxi: 1857: Oil on canvas: 62.2 × 92.7 cm: Art Institute of Chicago, Illinois View on the Magdalena River: 1857: Oil on canvas: 23 + 3 ⁄ 4 in × 36 in (600 mm × 910 mm) Virginia Museum of Fine Arts ...
Spur at the Edge at Sunset, Grindewald (or Spur of the Edge at Sunset, Grindewald) Oil on canvas 25.4 cm × 19.1 cm (10.0 in × 7.5 in) Herbert F. Johnson Museum of Art, Cornell University IAP 35010030: Mountain Study: Oil on paperboard 16 cm × 24.1 cm (6.3 in × 9.5 in) Stark Museum of Art IAP 60970148: A Quiet Cove: Oil on canvas
The Lake, Petworth: Sunset, a Stag Drinking 1829 Tate Britain, London: 63.5 x 132 The Lake, Petworth: Sunset, Fighting Bucks 1829 Tate Britain, London: 62 x 146 Brighton from the Sea 1829 Tate Britain, London: 63.5 x 132 The Loretto Necklace 1829 Tate Britain, London: 130.8 x 174.9 Ulysses deriding Polyphemus- Homer's Odyssey: 1829 National ...
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Sunset, View on the Catskill is an 1833 oil-on-wood painting by English-born American painter Thomas Cole. It is currently owned by the New-York Historical Society . [ 1 ] [ 2 ]
[2] [4] Van Gogh could also see an enclosed wheat field, subject of many paintings at Saint-Rémy. [5] As he ventured outside the asylum walls he painted the wheat fields, olive groves and cypress trees of the surrounding countryside, [4] which he saw as "characteristic of Provence". Over the course of the year, he painted about 150 canvases. [2]