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Part of the AFI 100 Years... series, AFI's 100 Years of Film Scores is a list of the top 25 film scores in American cinema. The list was unveiled by the American Film Institute in 2005. John Williams has the most scores in the top 25, with three: E.T. the Extra-Terrestrial , Jaws , and the top choice, Star Wars .
The first of the AFI 100 Years... series of cinematic milestones, AFI's 100 Years... 100 American Movies is a list of the 100 best American movies, as determined by the American Film Institute from a poll of more than 1,500 artists and leaders in the film industry who chose from a list of 400 nominated movies. The 100-best list American films ...
The percentage is based on the film's reviews aggregated by the website and assessed as positive or negative, and when all aggregated reviews are positive, the film has a 100% rating. Listed below are films with 100% ratings that have a critics' consensus or have been reviewed by at least twenty film critics.
It is part of the AFI 100 Years… series, which has been compiling lists of the greatest films of all time in various categories since 1998. It was unveiled on a three-hour prime time special on CBS television on June 14, 2006. [1] The films were selected by a jury of over 1,500 people involved in the film industry, who were polled in November ...
Part of the AFI 100 Years… series, AFI's 100 Years…100 Thrills is a list of the top 100 most exciting movies in American cinema. The list was unveiled by the American Film Institute on June 12, 2001, during a CBS special hosted by Harrison Ford .
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The original list has 75 Academy Awards Best Picture nominees and 33 winners. In the 2007 list, eight of the top ten films were nominated for the Academy Award for Best Picture, with five winning. In the original list, nine out of the top ten were nominees, and six won. Two animated films appear on each list.
Pitchfork ranked the soundtrack at 15 on their 50 Best Movie Scores of All Time list, saying that "Old Black is featured in its purest form on the soundtrack for Jim Jarmusch’s hallucinatory western Dead Man. Young’s low, ominous notes are inseparable from Robby Müller’s striking black-and-white cinematography, lending an elemental pull ...
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