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Also called gruppetto. tutti All; all together, usually used in an orchestral or choral score when the orchestra or all of the voices come in at the same time, also seen in Baroque-era music where two instruments share the same copy of music, after one instrument has broken off to play a more advanced form: they both play together again at the ...
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
Monody is similar to melody-dominated homophony in that one voice becomes the melody, while another voice assumes the underlying harmony. Monody, however, is characterized by a single voice with instrumental accompaniment, whereas melody-dominated homophony refers to a broader category of homophonic music, which includes works for multiple ...
Play voice 4 ⓘ, 3 ⓘ, 2 ⓘ, & 1 ⓘ separately. Part-writing (or voice leading) is the composition of parts in consideration of harmony and counterpoint. In the context of polyphonic composition the term voice may be used instead of part to denote a single melodic line or textural layer.
One of the more complex styles of vocal harmony is the barbershop quartet style, in which the melody is harmonized in four parts. In a barbershop quartet arrangement, each voice has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes ...
The highest voice is the first voice or voice 1. The second-highest voice is voice 2, etc. This nomenclature doesn't provide a term for more than one voice on the same pitch. A dropped voicing lowers one or more voices by an octave relative to the default state. Dropping the first voice is undefined—a drop-1 voicing would still have all ...
This melody for the traditional song "Pop Goes the Weasel" is monophonic as long as it is performed without chordal accompaniment. [1]Play ⓘ. In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords.
Polyphony (/ p ə ˈ l ɪ f ə n i / pə-LIF-ə-nee) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice or a texture with one dominant melodic voice accompanied by chords ().