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Although marquetry is a technique separate from inlay, English marquetry-makers were called "inlayers" throughout the 18th century. In Paris, before 1789, makers of veneered or marquetry furniture (ébénistes) belonged to a separate guild from chair-makers and other furniture craftsmen working in solid wood (menuisiers).
Inlay (ivory, red sandalwood, copper) on wooden casket. In a wood matrix, inlays commonly use wood veneers, but other materials like shells, mother-of-pearl, horn or ivory may also be used. Pietre dure, or coloured stones inlaid in white or black marbles, and inlays of precious metals in a base metal matrix, are other forms of inlay. Master ...
Jesus has cut his hand on an exposed nail, symbolizing the stigmata and foreshadowing Jesus's crucifixion. Some of the blood has fallen onto his foot. As Jesus's grandmother, Anne, removes the nail with a pair of pincers, his concerned mother, Mary, offers her cheek for a kiss. Joseph examines Jesus's wounded hand.
Though not, as frequently asserted, the inventor of wood-engraving, he was the first to recognise that, as the incisions made by the graver on the wood block printed white, the right use of the medium was to base his designs as much as possible on white lines and areas, and so he became the first to use his graver as a drawing instrument and to ...
The studiolo consists of a number of wood panels fitted together. These panels are divided into twelve consecutive sections, surrounding the room on all sides. The artists' use of intarsia (inlaid wood) to render realistic, two-dimensional images of latticework cabinets, drawers, and siding is representative of the rediscovery of linear ...
Pietra dura developed from the ancient Roman opus sectile, which at least in terms of surviving examples, was architectural, used on floors and walls, with both geometric and figurative designs. In the Middle Ages cosmatesque floors and small columns, etc. on tombs and altars continued to use inlays of different colours in geometric patterns.
Viewing the painting from a side angle allows the perspective of the tiled floor and the gaze of the disciples towards Jesus to emphasise his status as the main subject of the painting. On the far left of the painting is Judas Iscariot, clothed in bright red and noticeably isolated from the other figures of the painting. In the middle of the ...
Cabinet - Oak veneered with Macassar and Gabon ebony, ebonized fruitwood, burl wood, and marquetry of tortoiseshell and brass; gilt bronze. André-Charles Boulle's Protestant family environment was a rich and artistic milieu totally consistent with the genius of the Art he was to produce in later years.
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