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"Hearts of Stone" was covered and taken to the charts in 1954 by East Coast R&B vocal group the Charms, causing the story of the Jewels' involvement to be ignored by various writers and DJs who assume the Charms' cover was the original. The Charms' version of the song went to number one on the R&B Best Sellers and number fifteen on the pop charts.
The group had further R&B chart success with "Ling, Ting, Tong" and "Two Hearts", and they toured with The Clovers, Big Joe Turner and others. [1] Another song recorded in 1955, written by Rudy Toombs, was "Gum Drop," a single issued on DeLuxe 6090 and labeled by Otis William and the Charms. It was very popular and covered by the Crew Cuts.
In 1955, Billboard magazine published three charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres. The Best Sellers in Stores chart ranked records based on their "current national selling importance at the retail level", based on a survey of record ...
Hearts of Stone is the third album by New Jersey rock band Southside Johnny and the Asbury Jukes, released in October 1978. The album peaked at number 112 on the Billboard 200 chart during the week of January 13, 1979. [4] All of the album's songs were written by Southside Johnny, Bruce Springsteen, and E Street Band guitarist Steven Van Zandt.
"Two Hearts", [1] or "Two Hearts, Two Kisses (Make One Love)" is a popular song, written by Otis Williams and Henry Stone in 1954. [2] It was originally recorded by Otis Williams and the Charms , it first reached the Billboard R&B chart on March 23, 1955, and lasted 12 weeks on the chart, peaking at number 8.
This category is for songs issued as singles in the year 1955 ... (song) Hearts of Stone; Hey, Porter; ... (1955 song) No Money Down (Chuck Berry song) O.
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In 1951, they had a minor hit with "The Tennessee Waltz", of which bigger selling recordings were made by Patti Page and Les Paul and Mary Ford. In 1954 they switched to Randy Wood's Dot Records , [ 12 ] where they abandoned the slow late 1940s-early 1950s style for faster material aimed at the growing teen/rock-and-roll audience, and they had ...
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