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Altar decorated with a bas-relief depicting the god Sylvanus Capitoline Museums in Rome. Silvanus (/ s ɪ l ˈ v eɪ n ə s /; [1] meaning "of the woods" in Latin) was a Roman tutelary deity of woods and uncultivated lands. As protector of the forest (sylvestris deus), he especially presided over plantations and delighted in trees growing wild.
The Roman deities most widely known today are those the Romans identified with Greek counterparts, integrating Greek myths, iconography, and sometimes religious practices into Roman culture, including Latin literature, Roman art, and religious life as it was experienced throughout the Roman Empire. Many of the Romans' own gods remain obscure ...
She and her son, who is fathered by the sea-god (cf Romano-Greek Poseidon, god of horses and the sea), are sometimes described as mare and foal [30] Ronald Hutton is skeptical of connections claimed between Epona and Rhiannon; the latter is a much later, literary creation, though it also draws on oral traditions now lost. [31]
Orcus was a god of the underworld, punisher of broken oaths in Etruscan and Roman mythology. As with Hades, the name of the god was also used for the underworld itself. Eventually, he was conflated with Dis Pater and Pluto. A temple to Orcus may once have existed on the Palatine Hill in Rome
Dis Pater was sometimes identified with the Sabine god Soranus. [4] Julius Caesar, in his Commentaries on the Gallic Wars (VI:18), states that the Gauls all claimed descent from Dis Pater. This is an example of interpretatio romana: [5] what Caesar meant was that the Gauls all claimed descent from a Gaulish god that he equated with the Roman ...
In ancient Roman myth and literature, Mors is the personification of death equivalent to the Greek Thanatos. [citation needed] The Latin noun for "death," mors, genitive mortis, is of feminine gender, but surviving ancient Roman art is not known to depict death as a woman. [1] Latin poets, however, are bound by the grammatical gender of the ...
A further Roman Imperial-era syncretism came in the form of Hermanubis, the result of the identification of Hermes with the Egyptian god of the dead, Anubis. Hermes and Anubis were both psychopomps the primary attribute leading to their conflation as the same god. Hermanubis depicted with a human body and a jackal head, holding the caduceus.
According to the retelling of the story found in the poem Metamorphoses by the Roman poet Ovid (43 BC – AD 17/18), Adonis was the son of Myrrha, who was cursed by Aphrodite with insatiable lust for her own father, King Cinyras of Cyprus, [23] [24] [25] after Myrrha's mother bragged that her daughter was more beautiful than the goddess.