Search results
Results from the WOW.Com Content Network
George Frideric (or Frederick) Handel (/ ˈ h æ n d əl / HAN-dəl; [a] baptised Georg Fried[e]rich Händel, [b] German: [ˈɡeːɔʁk ˈfʁiːdʁɪç ˈhɛndl̩] ⓘ; 23 February 1685 – 14 April 1759) [3] [c] was a German-British Baroque composer well-known for his operas, oratorios, anthems, concerti grossi, and organ concertos.
In Chrysander's "G. F. Handel's Werke" this piece referred to as Op. 2 No 7 392 F major c. 1706–1707 In Chrysander's "G. F. Handel's Werke" (1879) this composition referred to as Op. 2 No 3. One of the "Dresden" sonatas. No autograph 393 G minor probably c. 1719 Authenticity uncertain.
George Frideric Handel's operas comprise 42 musical dramas that were written between 1705 and 1741 in various genres.Though his large scale English language works written for the theatre are technically oratorios and not operas, several of them, such as Semele (1744), have become an important part of the opera repertoire.
George Frideric Handel. Rodelinda, regina de' Longobardi (HWV 19) is an opera seria in three acts composed for the first Royal Academy of Music by George Frideric Handel. [1] The libretto is by Nicola Francesco Haym, based on an earlier libretto by Antonio Salvi. Rodelinda has long been regarded as one of Handel's greatest works. [2]
George Frideric Handel. Partenope ("Parthenope", HWV 27) is an opera by George Frideric Handel, first performed at the King's Theatre in London on 24 February 1730. Although following the structure and forms of opera seria, the work is humorous in character and light-textured in music, with a plot involving romantic complications and gender confusion.
The first UK performance since Handel's time was in 1966 at Abingdon. [3] As with all Baroque opere serie, Poro went unperformed for many years, but with the revival of interest in Baroque music and historically informed musical performance since the 1960s, Poro, like all Handel operas, receives performances at festivals and opera houses today. [4]
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
It is also reported by contemporaries that Handel would often play a slow and quiet voluntary for organ solo as a prelude to his concertos. After Handel's death, his amanuensis and personal assistant John Christopher Smith collaborated with the mechanical organ maker John Langshaw (1725–1798) in transcribing a selection of Handel's works for ...