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  2. Women in Abstraction - Wikipedia

    en.wikipedia.org/wiki/Women_in_Abstraction

    Women in Abstraction. Another History of Abstraction in the 20th Century or Elles font l'abstraction. Une autre histoire de l'abstraction au XXe siècle was a major exhibition of 20th century abstract art created by women. [ 1 ]

  3. Hilma af Klint - Wikipedia

    en.wikipedia.org/wiki/Hilma_af_Klint

    Hilma af Klint (Swedish pronunciation: [ˈhɪ̂lːma ˈɑːv ˈklɪnːt]; 26 October 1862 – 21 October 1944) was a Swedish artist and mystic whose paintings are considered among the first abstract works known in Western art history. [1] A considerable body of her work predates the first purely abstract compositions by Kandinsky, Malevich and ...

  4. Alma Thomas - Wikipedia

    en.wikipedia.org/wiki/Alma_Thomas

    Alma Woodsey Thomas (September 22, 1891 – February 24, 1978) was an African-American artist and teacher who lived and worked in Washington, D.C., and is now recognized as a major American painter of the 20th century.

  5. Sandra Blow - Wikipedia

    en.wikipedia.org/wiki/Sandra_Blow

    Blow's work was at the forefront of the British abstract art movement of the 1950s. [6] She was one of the most original woman painters in Britain, challenging the "'macho' cult" surrounding abstract art. [3] Her works emphasise surface textures, creating a tactile quality, and tend to use simple, large geometric shapes.

  6. List of 20th-century women artists - Wikipedia

    en.wikipedia.org/wiki/List_of_20th-century_women...

    This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.

  7. Anita Magsaysay-Ho - Wikipedia

    en.wikipedia.org/wiki/Anita_Magsaysay-Ho

    Some call Magsaysay-Ho the "Female Amorsolo" because, like Fernando, she prefers having women as her subjects of painting. [6] Her work appealed to Social Realism and post-Cubism by painting distortions and semi-abstract faces and portraits. It evolved toward Modernism, which, among other things, is expressed in its Cubist style.

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