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Interior of La Fenice opera house in Venice in 1837. Venice was, along with Florence and Rome, one of the cradles of Italian opera. Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until ...
Pagliacci (Italian pronunciation: [paʎˈʎattʃi]; literal translation, 'Clowns') [a] is an Italian opera in a prologue and two acts, with music and libretto by Ruggero Leoncavallo. The opera tells the tale of Canio, actor and leader of a commedia dell'arte theatrical company, who murders his wife Nedda and her lover Silvio on stage during a ...
Rules relating to the ranking of singers in opera (primo, secondo, comprimario) in 19th-century Italian opera, and the number of scenes, arias, etc. that they were entitled to expect. [2] The convenienze are referred to in the Donizetti opera Le convenienze ed inconvenienze teatrali. Coro: choir: Ensemble of singers Diva: divine one (fem.)
Opera buffa (Italian: [ˈɔːpera ˈbuffa], "comic opera"; pl.: opere buffe) is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica , commedia per musica , dramma bernesco , dramma comico , divertimento giocoso .
Opera seria (Italian pronunciation: [ˈɔːpera ˈsɛːrja]; plural: opere serie; usually called dramma per musica or melodramma serio) is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770.
Alexander the Great who appears as a character in over seventy operas, including two by George Frideric Handel. This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases:
A new Théâtre-Italien, performing Italian opera in Italian, was formed by Mademoiselle Montansier in 1801, when it was officially known as the Opera Buffa, but more familiarly as the Bouffons. [17] The company first performed at the Théâtre Olympique on the rue de la Victoire, but moved to the Salle Favart on 17 January 1802.
His opera Mefistofele, with music and libretto by the author, has a historical character, and is an important step in the evolution of the Italian theatre. [ 48 ] Even in this century, however, the legacy, now several hundred years old, of the Commedia dell'arte remained in the dialectal theatre that continued to stage masks.