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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
Furthermore, iambic pentameter (despite its name) may be better described as a series of 10 positions than of 5 feet, especially since the sequence ××// may be interpreted as the swapping of ictic and non-ictic positions across feet, suggesting that if feet constitute any kind of boundary at all, it is a porous one indeed.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Milton's most notable works, including Paradise Lost, are written in blank verse: unrhymed iambic pentameter. He was not the first to use blank verse, which had been a mainstay of English drama since the 1561 play Gorboduc.
Donne uses an inversion (DUM da instead of da DUM) in the first foot of the first line to stress the key verb, "batter", and then sets up a clear iambic pattern with the rest of the line Shakespeare's Hamlet includes a well-known example: To be, or not to be: that is the question: Whether 'tis nobler in the mind to suffer
Alexander the Great in a diving bell: a scene from the line's namesake, the Roman d'Alexandre.. Alexandrine is a name used for several distinct types of verse line with related metrical structures, most of which are ultimately derived from the classical French alexandrine.
Like many of the others in the sequence, it is written in a type of metre called iambic pentameter, which is based on five pairs of metrically weak/strong syllabic positions per line. Typically English sonnets present a problem or argument in the quatrains, and a resolution in the final couplet. [ 2 ]
Generative metrics [a] is the collective term for three distinct theories of verse structure (focusing on the English iambic pentameter) advanced between 1966 and 1977.. Inspired largely by the example of Noam Chomsky's Syntactic Structures (1957) and Chomsky and Morris Halle's The Sound Pattern of English (1968), [1] these theories aim principally at the formulation of explicit linguistic ...