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Michelangelo was the first Western artist whose biography was published while he was alive. [3] Three biographies were published during his lifetime. One of them, by Giorgio Vasari , proposed that Michelangelo's work transcended that of any artist living or dead, and was "supreme in not one art alone but in all three".
The Agony and the Ecstasy is a biographical novel of Michelangelo Buonarroti written by American author Irving Stone.Stone lived in Italy for years visiting many of the locations in Rome and Florence, worked in marble quarries, and apprenticed himself to a marble sculptor.
In 1553 he published Vita di Michelagnolo Buonarroti, [1] an authorised account of Michelangelo's life over which his subject had complete control. The Vita was partly a rebuttal of hostile rumours that were being perpetuated about the artist, namely that he was arrogant, avaricious, jealous of other artists, and reluctant to take on pupils.
The Agony and the Ecstasy is a 1965 American historical drama film directed by Carol Reed and starring Charlton Heston as Michelangelo and Rex Harrison as Pope Julius II.The film was partly based on Irving Stone's 1961 biographical novel of the same name, and deals with the conflicts of Michelangelo and Pope Julius II during the 1508–1512 painting of the Sistine Chapel ceiling.
The Titan: Story of Michelangelo is a 1950 German documentary film about the painter and sculptor Michelangelo.It won the Academy Award for Best Documentary Feature. [1]The film was a re-edited version of a German/Swiss film of 1938 originally titled Michelangelo: Life of a Titan, directed by Curt Oertel.
Michelangelo however, felt that the torso was the powerhouse of the male body, and therefore warranted significant attention and mass in his art pieces. [ 32 ] [ failed verification ] Thus, the torso in the Study represents an idealization of the male form, "symbolic of the perfection of God's creation before the fall ".
Thus Michelangelo set the tomb aside to paint a fresco in the Sistine Chapel. [8] Michelangelo was commissioned to do the tombs of Lorenzo de' Medici's grandson, Giuliano, duke of Nemours and Lorenzo's third son, and popes Leo X and Clement VII, both Medici; also Lorenzo il Magnifico. Only two were completed: Giuliano's and Lorenzo's.
When his commissioner and head of the Della Rovere nobility Pope Julius II dies, Michelangelo becomes obsessed with sourcing the finest marble to complete his tomb. The artist's loyalty is tested when Leo X , of the rival Medici family, ascends to the papacy and charges him with a lucrative new commission – the façade of the San Lorenzo ...