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The Black Duchess (also Mourning Portrait of the Duchess of Alba or simply Portrait of the Duchess of Alba) is a 1797 oil-on-canvas painting by Spanish painter Francisco Goya. The subject of the painting is María Cayetana de Silva, 13th Duchess of Alba, then 35 years old. It is a companion piece to the more chaste The White Duchess, completed ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
Portrait of Goya by Vicente López Portaña, c. 1826. Museo del Prado, Madrid. Francisco José de Goya y Lucientes (1746–1828) was a Spanish artist, now viewed as one of the leaders of the artistic movement Romanticism. He produced around 700 paintings, 280 prints, and several thousand drawings.
The White Duchess is a life sized (192 x 128 cm) oil-on-canvas painting by the Spanish artist Francisco Goya, completed in 1795. It portrays María Cayetana de Silva, 13th Duchess of Alba . It is in the collection of the House of Alba , in the Liria Palace , Madrid.
The painting is composed of mainly white and black hues applied in broad brush strokes, while the dresses are outlined in touches of livid yellow. The figures are set against a flat, black background which isolates the moment and removes any context. The Duchess of Alba and la Beata is considered to form part of Goya's "caprichos", and was ...
Quinta del Sordo (English: Villa of the Deaf One), or Quinta de Goya, was an extensive estate and country house situated on a hill in the old municipality of Carabanchel on the outskirts of Madrid. The house is best known as the home of Francisco de Goya , where he painted 14 murals known as the Black Paintings . [ 3 ]
The Greasy Pole (1786-1787). The series of paintings for the alameda of the Dukes of Osuna comprises seven pictures painted by Francisco de Goya between 1786 and 1787. The country estate of the dukes and duchesses, who were the painter's mecenas and friends, was known as El Capricho, and was located on the outskirts of Madrid.
Pedro Téllez-Girón, 9th Duke of Osuna and María Josefa Pimentel, Duchess of Osuna were among the country's leading ilustrados and important patrons of the arts and, specifically, of Goya, commissioning several paintings from him. Goya would later portray, as La duquesa de Abrantes (1816), their youngest daughter, Manuela Isidra, who had not ...