Search results
Results from the WOW.Com Content Network
Fontana in the UK was much more open to Adams's creative input. Thus, the UK covers were often akin to a stylized tableau or surrealist collage. Adams ended up doing the covers for Agatha Christie paperbacks for twenty-eight years (1962-1980), thus becoming connected with her intimately in the minds of many readers.
Dame Agatha Mary Clarissa Christie, Lady Mallowan, DBE (née Miller; 15 September 1890 – 12 January 1976) was an English author known for her 66 detective novels and 14 short story collections, particularly those revolving around fictional detectives Hercule Poirot and Miss Marple.
File:Cards on the Table First Edition Cover 1936.jpg; File:A Caribbean Mystery First Edition Cover 1964.jpg; File:Cat Among the Pigeons First Edition Cover 1959.jpg; File:Christie Appointment 105 back-1.jpg; File:The Clocks First Edition Cover 1963.jpg; File:Come Tell Me How You Live First Edition Cover 1946a.jpg
After the Funeral is a work of detective fiction by Agatha Christie and first published in the US by Dodd, Mead and Company in March 1953 under the title of Funerals are Fatal [1] and in UK by the Collins Crime Club on 18 May of the same year under Christie's original title. [2]
Agatha Christie’s The Secret Adversary was presented for the stage for the first time in 2015 as a Watermill Theatre production, adapted from the Christie novel by Sarah Punshon and Johann Hari for a company of seven actors. A play in two acts, it was described in the publicity as being "shot through with fast-paced action, comedy, live music ...
Sad Cypress is a work of detective fiction by British writer Agatha Christie, first published in the UK by the Collins Crime Club in March 1940 [1] and in the US by Dodd, Mead and Company later in the same year.
Tiegs appeared in the issue nine times and on the cover a total of three times, first in 1970, and then in 1975 and 1983. The issue with her "nude" white fishnet swimsuit also featured her ...
Francis Iles (Anthony Berkeley Cox) in The Guardian's issue of 13 December 1968 admitted that, "This is a thriller, not a detective story, and needless to say an ingenious and exciting one; but anyone can write a thriller (well, almost anyone), whereas a genuine Agatha Christie could be written by one person only." [4]