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The development of Nazi policy towards propaganda in Germany impacted the animation industry greatly. The years 1933-37 saw the co-ordination and consolidation of the industry, with Goebbels starting the nationalization process by 1937. [26] This meant that all production, development and screening came under direct control of the Nazi party.
Propaganda was a crucial tool of the German Nazi Party from its earliest days in 1920, after its reformation from the German Worker’s Party (DAP), to its final weeks leading to Germany's surrender in May 1945. As the party gained power, the scope and efficacy of its propaganda grew and permeated an increasing amount of space in Germany and ...
Hessy Levinsons Taft (born Hessy Levinsons; 17 May 1934), [1] a Jewish German, was featured as an infant in Nazi propaganda after her photo won a contest to find "the most beautiful Aryan baby" in 1935. Taft's image was subsequently distributed widely by the Nazi party in a variety of materials, such as magazines and postcards, to promote Aryanism.
The desire to abolish 1920s fashion in Nazi Germany was consistent with Nazi propaganda which was insistent on limiting women to the private sphere as housewives and mother figures. [ 41 ] While the Nazi government sought to create a maternal ideal for the Aryan woman, they also sought financial gain from the textile industry. [ 42 ]
The following is a list of German National Socialist propaganda films. Before and during the Second World War , the Reich Ministry of Public Enlightenment and Propaganda under Joseph Goebbels produced several propaganda films designed for the general public.
The second argument within German propaganda is that racially desirable German women were supported in their effort to have children; however undesirable mothers, such as Jews and gypsies, were discouraged from having more children. [271] This was because Nazi Germany wanted to eradicate ‘undesirable’ populations from the Third Reich.
[80] Approximately 1,363 feature pictures were made during Nazi rule (208 of these were banned after World War II for containing Nazi Propaganda). [81] Every film made in Nazi Germany (including features, shorts, newsreels, and documentaries) had to be passed by Joseph Goebbels himself before they could be shown in public. [82]
German Museum in Munich, featuring a poster of the antisemitic Nazi propaganda film The Eternal Jew (1937) With the establishment of Department V (Film), the Propaganda Ministry became the most important body for the German film industry alongside the Reich Chamber of Culture and the Reich Film Chamber. Initially little changed in the formal ...