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Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
The sensitive style (German: empfindsamer Stil) of music, developed in Germany, aimed to express "true and natural" feelings, in contrast to the baroque. The origin of sentimentalism in this context was chiefly religious, with the emotionally coloured keyboard music and lieder of Carl Philipp Emmanuel Bach being typical examples.
Reduced affect display, sometimes referred to as emotional blunting or emotional numbing, is a condition of reduced emotional reactivity in an individual. It manifests as a failure to express feelings either verbally or nonverbally, especially when talking about issues that would normally be expected to engage emotions.
The sentimental novel or the novel of sensibility is an 18th-and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to ...
Affect labeling is an implicit emotional regulation strategy that can be simply described as "putting feelings into words". Specifically, it refers to the idea that explicitly labeling one's, typically negative, emotional state results in a reduction of the conscious experience, physiological response, and/or behavior resulting from that emotional state. [1]
In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, [27] Europe, and the British colonies. The English Georgian poets and their contemporaries such as A. E. Housman, Walter de la Mare, and Edmund Blunden used the lyric form.
Noy & Noy-Sharav also claim that art is the most potent form of emotional communication. They cite examples of people being able to listen to and dance to music for hours without getting tired and literature being able to take people to far away, imagined lands inside their heads. Instead of being passive recipients of actions and images, art ...
The Victorian period represented the high point of the dramatic monologue in English poetry. Alfred, Lord Tennyson 's Ulysses , published in 1842, has been called the first true dramatic monologue. After Ulysses , Tennyson's most famous efforts in this vein are Tithonus , The Lotos-Eaters, and St. Simon Stylites, all from the 1842 Poems ; later ...