Search results
Results from the WOW.Com Content Network
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
The sentimental novel or the novel of sensibility is an 18th-and 19th-century literary genre which presents and celebrates the concepts of sentiment, sentimentalism, and sensibility. Sentimentalism, which is to be distinguished from sensibility, was a fashion in both poetry and prose fiction beginning in the eighteenth century in reaction to ...
The sensitive style (German: empfindsamer Stil) of music, developed in Germany, aimed to express "true and natural" feelings, in contrast to the baroque. The origin of sentimentalism in this context was chiefly religious, with the emotionally coloured keyboard music and lieder of Carl Philipp Emmanuel Bach being typical examples.
In the earlier years of the 20th century rhymed lyric poetry, usually expressing the feelings of the poet, was the dominant poetic form in the United States, [27] Europe, and the British colonies. The English Georgian poets and their contemporaries such as A. E. Housman, Walter de la Mare, and Edmund Blunden used the lyric form.
The Victorian period represented the high point of the dramatic monologue in English poetry. Alfred, Lord Tennyson 's Ulysses , published in 1842, has been called the first true dramatic monologue. After Ulysses , Tennyson's most famous efforts in this vein are Tithonus , The Lotos-Eaters, and St. Simon Stylites, all from the 1842 Poems ; later ...
The mood of a piece of literature is the feeling or atmosphere created by the work, or, said slightly differently, how the work makes the reader feel. Mood is produced most effectively through the use of setting, theme, voice and tone, while tone is how the author feels about something.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism.She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Emotivism is a meta-ethical view that claims that ethical sentences do not express propositions but emotional attitudes. [1] [2] [3] Hence, it is colloquially known as the hurrah/boo theory. [4]