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This composite depiction of Mary Magdalene was carried into the Mass texts for her feast day: in the Tridentine Mass, the collect explicitly identifies her as Mary of Bethany by describing Lazarus as her brother, and the Gospel is the story of the penitent woman anointing Jesus's feet.
For this reason, the myrrhbearing women, especially Mary Magdalene, are sometimes referred to as "equal to the Apostles." Joseph of Arimathea was a disciple of Jesus, but secretly. [ c ] He went to Pontius Pilate and asked for the body of Jesus and, together with Nicodemus, hurriedly prepared the body for burial.
The scene that the painting depicts is an event that is not described in the Gospels or the Golden Legend, and reflects the widespread beliefs at the time that, firstly, Mary Magdalene and Martha were sisters, living together, and secondly that Mary Magdalene was the woman mentioned elsewhere in the Gospels who had lived a life of sexual sin ...
Blainey cites the ever-growing veneration of the Virgin Mary and Mary Magdalene as evidence of a high standing for female Christians at that time. The Virgin Mary was conferred such titles as Mother of God and Queen of Heaven and, in 863, her feast day, the "Feast of Our Lady", was declared equal in importance to those of Easter and Christmas.
Marian devotions are external pious practices directed to the person of Mary, mother of Jesus, by members of certain Christian traditions. [1] They are performed in Catholicism, High Church Lutheranism, Anglo-Catholicism, Eastern Orthodoxy and Oriental Orthodoxy, but generally rejected in other Christian denominations.
Cultural depictions of Mary Magdalene. Subcategories. This category has the following 2 subcategories, out of 2 total. A. Mary Magdalene in art (2 C, 1 P) F.
The event (or events – see discussion below) is reported in Matthew 26, Mark 14, Luke 7, and John 12. [2] Matthew and Mark are very similar: Matthew 26:6–13. While Jesus was in Bethany in the home of Simon the Leper, a woman came to him with an alabaster jar of very expensive perfume, which she poured on his head as he was reclining at the table.
The tradition of honoring Mary by venerating images of her goes back to 3rd-century Christianity. [157] Following the period of iconoclasm, the position of the church with respect to the veneration of images was formalized at the Second Council of Nicaea in 787. A summary of the doctrine is included in the current Catechism of the Catholic Church.