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The Rama Natakam is a Tamil Opera that was written by the Tamil poet Arunachala Kavi also known as Arunachala Kavirayar during the 18th century. Based on Kambar's and Valmiki's Ramayana (which is in Tamil and Sanskrit) , the opera describes the legend of King Rama of Ayodhya.
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... Category: 18th-century songs. 22 languages ...
Tyagaraja lived in the late 18th century and early 19th century in Tiruvaiyaru in present-day Thanjavur district in Tamil Nadu. [1] His compositions are considered to be some of the finest in Carnatic music. Of the five Pancharatna Kritis, four are in Telugu and one in Sanskrit. They are set to music in five ragas: Nata, Gaula, Arabhi, Varali ...
Gaana songs are performed at weddings, stage shows, political rallies, and funerals. Performers sing about a wide range of topics, but the essence of gaana is said to be "angst and melancholy" based in life's struggles. [2] In the past few decades, the genre has entered the music of the mainstream Tamil film industry and gained popularity.
It originated from the folk songs of the camel riders of Punjab and was developed as a form of classical music by Mian Ghulam Nabi Shori or Shori Mian, a court singer for Asaf-Ud-Dowlah, the Nawab of Awadh. "Nidhubabur Tappa", or tappas sung by Nidhu Babu were very popular in 18th and 19th-century Bengal.
Download as PDF; Printable version; In other projects ... an 8th-century Tamil poet; Bakthi period poets ... (1927–1981), poet and song lyrics writer; Vaali ...
The Trinity of Carnatic music composed new ragas and talas, and had a remarkable ability to introduce innovations within the same raga. [1]Compositions of Syama Sastri in 'apoorva' ragas like Chinthamani, and Kalagada evidence his originality and genius in discovering new forms in Carnatic music. [1]
Vaishnava music was extremely influential in the evolution of Indian musical tradition. In the 14th century, Amir Khusro, who spent some time in the court at Bengal, was exposed to the Vaishnavite tradition. [3] With the rise of Vrindavana 14th century onwards, there was an admixture of the strains of devotional music from different regions of ...