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Luis de Vargas (1502–1568) was a Spanish painter of the late-Renaissance period, active mainly in Seville. He traveled to Rome where he was influenced by Mannerist styles. He painted an altarpiece with multiple panels, including a Virgin and Child appearing to Adam and Eve or La Gamba for the Cathedral in Seville .
The Spanish Renaissance was a movement in Spain, emerging from the Italian Renaissance in Italy during the 14th century, that spread to Spain during the 15th and 16th centuries. [ 1 ] This new focus in art , literature , quotes and science inspired by the Greco-Roman tradition of Classical antiquity , received a major impulse from several ...
The Spanish royal collection was accumulated by Spanish monarchs beginning with Isabel the Catholic, Queen of Castile (1451–1504), who accumulated large and impressive collections of objets d'art, 370 tapestries, and 350 paintings, a number by important artists including Rogier van der Weyden, Hans Memling, Hieronymus Bosch, Juan de Flandes ...
The subject of the painting is the waterseller, a common trade for the lower classes in Velázquez's Seville.The jars and victuals recall bodegón paintings. The seller has two customers: a young boy, possibly painted from the same model as used for the boys in The Lunch and Old Woman Cooking Eggs, and a young man in the background shadows, (time has caused him to fade somewhat; he is clearer ...
The Columbus Museum of Art (CMA) is an art museum in downtown Columbus, Ohio. Formed in 1878 as the Columbus Gallery of Fine Arts (its name until 1978), [3] it was the first art museum to register its charter with the state of Ohio. The museum collects and exhibits American and European modern and contemporary art, folk art, glass art, and ...
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El Greco (1541–1614) was a prominent painter, sculptor and architect active during the Spanish Renaissance. He developed into an artist so unique that he belongs to no conventional school. His dramatic and expressionistic style was met with puzzlement by his contemporaries but gained newfound appreciation in the 20th century. [1]
A posthumous portrait of Maria Isabel of Portugal in front of the Prado, whose building she led.. The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons (1700–1868, with a brief interruption).
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