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For over five generations, the Liverino family has produced and processed coral. The strong bond that has always linked them to the Red Gold has transcended the purely business interest to give life to a unique collection, which began in 1934 with a 16-years-old Basilio Liverino.
Parure made for Farida of Egypt in 1934 Cameo, Ascione, 1925. The Museo del Corallo is a small private museum of coral jewellery in Naples, in Campania in southern Italy. It also holds some cameos and jewellery in ivory and tortoiseshell.
Isaia was founded in Napoli by Enrico Isaia, who opened a fabric store for Neapolitan tailoring, and later a small atelier next to the store.In 1957 the brothers Enrico, Rosario and Corrado Isaia moved the business to Casalnuovo, a village near Napoli where tailoring was a large part of the economy, and Isaia became a men's tailoring company.
A branch of red coral figures prominently in the civic coat of arms of the town of Alghero, Italy. Amongst the Yoruba and Bini peoples of West Africa, red precious coral jewellery (necklaces, wristlets and anklets most especially) are signifiers of high social rank, and are worn as a result by titled kings and chieftains.
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Diving for coral has taken place in the Mediterranean Sea ever since Roman times, and in the 15th century Torre del Greco became known for its coral diving and harvesting of red coral. However, it was not until the 17th century that the first cameos were produced, and not until 1815 that a unique manufacturing contract was granted to the town ...
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Later Viking jewelry also starts to exhibit simplistic geometric patterns. [27] The most intricate Viking work recovered is a set of two bands from the 6th century in Alleberg, Sweden. [26] Barbarian jewelry was very similar to that of the Vikings, having many of the same themes. Geometric and abstract patterns were present in much of barbarian ...
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