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The Monster (originally titled There Are Monsters) is a 2016 American monster horror film written and directed by Bryan Bertino, and starring Zoe Kazan and Ella Ballentine. The film was released through DirecTV Cinema on October 6, 2016, before opening in a limited release on November 11, 2016, via A24 . [ 3 ]
The Monster is a 1925 American silent horror comedy film directed by Roland West, based on the stage play of the same name by Crane Wilbur, and starring Lon Chaney and comedian Johnny Arthur. The screenplay was written by Willard Mack and Albert Kenyon.
Monster is a 2003 American biographical crime drama film written and directed by Patty Jenkins in her feature directorial debut. The film follows serial killer Aileen Wuornos, a street prostitute who murdered seven of her male clients between 1989 and 1990 and was executed in Florida in 2002.
I Don't Want to Be Born is a 1975 British horror film directed by Peter Sasdy and starring Joan Collins, Ralph Bates, Eileen Atkins, and Donald Pleasence. [2] It was written by Stanley Price. Released in the United States under the alternate title The Devil Within Her, it is also known as The Monster and Sharon's Baby.
The Monster (Italian: Il mostro) is a 1994 Italian comedy film, starring Roberto Benigni as a man who is mistaken by police profilers for a serial killer due to a misunderstanding of the man's strange behavior. This film was, at the time it came out, the highest-grossing film in Italy, bested later by another Benigni film, Life is Beautiful.
Monster is a 2018 American legal drama film directed by Anthony Mandler, from a screenplay by Radha Blank, [1] Cole Wiley, and Janece Shaffer, based on the novel of the same name by Walter Dean Myers.
The Monster That Challenged the World is a 1957 black-and-white science-fiction monster film from Gramercy Pictures, [a] produced by Arthur Gardner, Jules V. Levy, and Arnold Laven (who also directed), and starring Tim Holt and Audrey Dalton. [1] The film was distributed by United Artists as the top half of a double feature with The Vampire.
The Monster and the Girl was developed under the title of Dead On Arrival (written as D.O.A.). [1] After the release of Michael Curtiz's film The Walking Dead in 1936, a few films combined genre themes of crime films and science-fiction horror. [2]