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In 2016, Ignatiy Vishnevetsky of The A.V. Club described the song as "a placid piece of music that uses a sophisticated palette of synthesized instruments and futuristic sound effects to create a mood of calm that's very different from the sped-up themes usually associated with platform games", being "more nocturnal and urban than submarine".
For example, if a song says 'medium shuffle', the drummer plays a shuffle drum pattern; if it says 'fast boogie-woogie', the piano player plays a boogie-woogie bassline. 'Show tempo', a term used since the early days of vaudeville, describes the traditionally brisk tempo (usually 160–170 bpm) of opening songs in stage revues and musicals.
BPM (band), an American band; BPM (Beats per Minute), a 2017 French film; BPM, an American magazine; BPM (Sirius XM), a satellite radio channel; Beats Per Minute, a New York-based publication; BPM, by Salvador Sobral, 2021; B.P.M., a B-side to "I Believe In You" by Kylie Minogue, 2004; Ball Park Music, an Australian indie rock band
A music video directed by Cole Walliser for the song was released on April 4, 2016. The video has a video-within-a-video format and features comedian Ken Jeong, playing the director of the video, along with his daughter Zooey Jeong. In the video Ken Jeong is showing Laura Marano how to do the choreography, as she is having trouble performing it.
Beats Per Minute (formerly One Thirty BPM) is a New York City– and Los Angeles–based online publication providing reviews, news, media, interviews and feature articles about the music world. Beats Per Minute covers a variety of genres and specializes in rock, hip hop, and electronic music.
Downtempo (or downbeat) [4] is a broad label for electronic music that features an atmospheric sound and slower beats than would typically be found in dance music. [5] Closely related to ambient music but with greater emphasis on rhythm, [6] the style may be played in relaxation clubs or as "warm-up or cool-down" music during a DJ set. [5]
[6] Noiseporn's Alexandra Harris called the song a "brilliant, multi-dimensional number" that represented the full extent of Kompany's craft, stating that "so many layers of bass waves and so many different unique sounds combine to create a listen that is interesting and just downright fun."
The only contribution by the other members was a sample crafted from the sound of the rest of the band jumping into a swimming pool. Johnson later said that "Trevor didn't like the band's standard of playing as he couldn't sync it to his machinery". [17] Horn later recalled of the song's intro, "Hit singles are not just good songs.