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By the mid-1970s, the underground comix movement was encountering a slowdown, [1] and Spiegelman and Griffith conceived of Arcade as a "safe berth". It stood out from similar publications by having an ambitious editorial plan, in which Spiegelman and Griffith attempted to show how comics connected to the broader realms of artistic and literary culture. [3]
The Clue Club witness a train with a gold bullion vanish past a mountain. The only clue is iron pyrite pointing to the ghost town Dobson City. In an old mine nearby, the Clue Club find the stolen train and its gold which was diverted by an alternate track in the mountain, carried out by the train dispatcher.
Gag-a-day, humor, romance comics, self-reflexive comics, experimental comics Krazy Kat (also known as Krazy & Ignatz in some reprints and compilations) is an American newspaper comic strip , created by cartoonist George Herriman , which ran from 1913 to 1944.
An American-style 15×15 crossword grid layout. A crossword (or crossword puzzle) is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one ...
After World War I, Nugent worked as the New York World's puzzle cartoonist for eight years. [3] [4] For the World, Nugent created a feature called Puzzlers in 1927, which was syndicated until c. 1931 by the World's Press Publishing Co. Puzzlers had the same elements that characterized Uncle Art's Funland, launched in 1933, which introduced Nugent's autobiographical character, Uncle Nugent (a.k ...
The Museum of Comic Art (MoCA) in Noordwijk, The Netherlands, is an international art museum that specializes in original artwork by European and U.S. comic book and newspaper comic artists. Its primary focus are original comic strips and comic book pages by influential artists such as Winsor McCay , Richard Outcault , Hergé , André Franquin ...
Mainstream publications such as Playboy and National Lampoon began to publish comics and art similar to that of underground comix. [1] The underground movement also prompted older professional comic book artists to try their hand in the alternate press. Wally Wood published witzend in 1966, soon passing the title on to artist-editor Bill Pearson.
"The Sam" Adamson Award, Best International Comic Strip Cartoonist, Swedish Academy of Comic Art, 1976, [36] The Elzie Seger Award, Outstanding Contributions to the Art of Cartooning, King Features, 1981 [37] The Golden Sheaf Award and Special Jury Award, [38] The Yorkton Short Film and Video Festival, Canada,"B.C. A Special Christmas", 1982 [39]