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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
The picture juxtaposes the similarities between the soft oval white face of the model, as if she were a living mask, with the shiny black mask, also with eyes closed and a serene expression. [4] It also expresses the artist's interest in African art, which had a huge influence in the artistic movements of the first decades of the 20th century. [5]
The book contains contributions by European and American ethnologists, art historians and collectors on aspects of traditional sculptural art from Tanganyika. More than 500 black-and-white photographs of sculptures and masks from public and private collections as well as maps, illustrations and a bibliography complement the individual chapters ...
A black plastic child's doll has been added to the horns to create a karan wemba, to honor a female ancestor. In the southwest masks represent animals such as antelope, bush buffalo, and various strange creatures, are painted red, white and black. In the east, around Boulsa, masks have tall posts above the face to which fiber is attached.
In the Chokwe people of Central Africa, the chikunga is a sacred ceremonial mask. Of the many ceremonial masks, the chikunga is considered to be the most powerful, and it is only worn by the tribal chief. The chikunga mask is made by stretching barkcloth over an array of wicker bits. It then is painted black with red and white designs.
The Bwa masks are usually black and white; additional colors are subject to individual carvers and their styles. Animal depictions are a common attribute of the works. Plank Masks are the most known style of masks for this society. they are vertically shaped and attached to a disk-like base.
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