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The publication of Quqnūs and, shortly afterwards, the continuing articles entitled "The Value of Emotions in Artists' Lives" had a profound effect on the growth of She'r-e Nimaa'i. [5] In Quqnūs, Nima Yoshij transforms his poetry and tends to social symbolism. Before that, his poems included romanticism, realism and symbolism. [6]
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
Social poetry is poetry which performs a social function or contains a level of social commentary. The term seems to have first appeared as a translation from the original Spanish Poesia Socíal , used to describe the post- Spanish-civil-war poetry movement of the 1950s and 60s [ 1 ] (including poets such as Blas de Otero ).
The Proletarian poetry is a genre of political poetry developed in the United States during the 1920s and 1930s that endeavored to portray class-conscious perspectives of the working-class. [64] Connected through their mutual political message that may be either explicitly Marxist or at least socialist , the poems are often aesthetically disparate.
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
Sylvester states that Angelou uses this technique often in her poetry, and that it elicits a change in the reader's emotions; in this poem, from humor to anger. Sylvester says that Angelou uses the same technique in "Letter to an Aspiring Junkie", also in Diiie , in which the understatement contained in the repeated phrase "nothing happens" is ...
Opening his poem with verse by Pablo Neruda, Patten's poem argues that it is the act of remembrance which offers family members the best antidote to the anguish of loss. In tackling the subject of grief, Patten views poetry as performing an important social function: "Poetry helps us understand what we’ve forgotten to remember.
In a 1977 interview with Paris Review, Richard Wilbur criticized confessional poetry, saying, "One of the jobs of poetry is to make the unbearable bearable, not by falsehood, but by clear, precise confrontation. Even the most cheerful poet has to cope with pain as part of the human lot; what he shouldn't do is to complain, and dwell on his ...