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Gain staging is the process of managing the relative levels in each step of an audio signal flow to prevent introduction of noise and distortion, feeding the inserts, such as equalizers and compressors with the right amount of signal, particularly in the analogue realm. Ideal gain staging occurs when each component in an audio signal flow is ...
Audio signal flow is the path an audio signal takes from source to output. [1] The concept of audio signal flow is closely related to the concept of audio gain staging; each component in the signal flow can be thought of as a gain stage. In typical home stereo systems, the signal flow is usually short and simple, with only a few components.
The term gain alone is ambiguous, and can refer to the ratio of output to input voltage (voltage gain), current (current gain) or electric power (power gain). [4] In the field of audio and general purpose amplifiers, especially operational amplifiers, the term usually refers to voltage gain, [2] but in radio frequency amplifiers it usually ...
The CMRR is a very important specification, as it indicates how much of the unwanted common-mode signal will appear in the output, typically a measurement of some quantity. The value of the CMRR often depends on signal frequency, and must be specified as a function thereof. It is often important in reducing noise on transmission lines.
An amplifier that is said to have a gain of 20 dB might have a voltage gain of 20 dB and an available power gain of much more than 20 dB (power ratio of 100)—yet actually deliver a much lower power gain if, for example, the input is from a 600 Ω microphone and the output connects to a 47 kΩ input socket for a power amplifier. In general ...
Audio engineers typically aim at achieving a good gain structure for each channel. To obtain a good gain structure, engineers usually raise the gain as high as they can before audio clipping results; this helps to provide the best signal-to-noise ratio. A mixing console may provide insert points after the input gain stage. These provide send ...
A typical sound reinforcement system consists of; input transducers (e.g., microphones), which convert sound energy such as a person singing into an electric signal, signal processors which alter the signal characteristics (e.g., equalizers that adjust the bass and treble, compressors that reduce signal peaks, etc.), amplifiers, which produce a ...
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...