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In the first chapter of Cinema 2, Deleuze picks up where he left off in Cinema 1 to discuss how the time-image is born from a crisis of the movement-image. Thus, instead of what Deleuze had described as perception-images, affection-images, action-images, and mental images (all types of movement-image), there are now "opsigns" and "sondsigns ...
Gilles Louis René Deleuze (/ d ə ˈ l uː z / də-LOOZ; French: [ʒil dəløz]; 18 January 1925 – 4 November 1995) was a French philosopher who, from the early 1950s until his death in 1995, wrote on philosophy, literature, film, and fine art.
Deleuze, citing film writer Jean Mitry, sees Chaplin as giving "mime a new model, a function of space and time, a continuity constructed at each instant […] instead of being related to prior forms which it was to embody" as well as happening "in the street, surrounded by cars, along a pavement".
Pages in category "Works by Gilles Deleuze" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. A. Anti-Oedipus; C.
The concept of the plane itself is significant as it implies that immanence cannot simply be conceived as the within, but also as the upon, as well as the of.An object is not simply within a larger system, but folds from that very same system, functioning and operating consistently upon it, with it and through it, immanently mapping its environment, discovering its own dynamic powers and ...
A line of flight or a line of escape (French: ligne de fuite) is a concept developed by Gilles Deleuze and Félix Guattari in their work Capitalism and Schizophrenia.It describes one out of three lines forming what Deleuze and Guattari call assemblages, and serves as a factor in an assemblage that ultimately allows it to change and adapt to said changes, which can be associated with new ...
Like the first volume of Deleuze and Guattari's Capitalism and Schizophrenia, Anti-Oedipus (1972), A Thousand Plateaus is politically and terminologically provocative and is intended as a work of schizoanalysis, [2] but focuses more on what could be considered systematic, environmental and spatial philosophy, often dealing with the natural world, popular culture, measurements and mathematics.
The Fold started to influence architectural design and theory shortly after it was published in 1988. [2] Greg Lynn's guest-edited 1993 March-April issue of Architectural Design, which is titled Folding in Architecture, was one of the first publications that associated Deleuze's writing on the Baroque with contemporary architecture.