Search results
Results from the WOW.Com Content Network
Franz Simandl. Franz Simandl (August 1, 1840 – December 15, 1912) was a double-bassist and pedagogue from Austria-Hungary most remembered for his book New Method for String Bass, known as the "Simandl book", which is to this day used as a standard study of double bass technique and hand positions.
The history of the double bass is tightly coupled to the development of string technology, as it was the advent [6] of overwound gut strings, which first rendered the instrument more generally practicable, as wound or overwound strings attain low notes within a smaller overall string diameter than non-wound strings. [18]
Guitar music indicates thumb, occasionally used to finger bass notes on the low E string, with a 'T'. Position may be indicated through ordinal numbers (e.g., 3rd) or Roman numerals. A string may also be indicated through Roman numerals, often I-IV, or by its open-string note. A change in positions is referred to as a shift. Guitar music ...
For the double bass, thumb position is used when playing above one-lined G [citation needed] (on the third ledger line in bass clef notation for the double bass). To play passages in this register, the player shifts their hand out from behind the neck and flattens it out, using the side of the thumb to press down the string.
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously.
Contrabass (from Italian: contrabbasso) refers to several musical instruments of very low pitch—generally one octave below bass register instruments. While the term most commonly refers to the double bass (which is the bass instrument in the orchestral string family, tuned lower than the cello), many other instruments in the contrabass register exist.
In classical double bass playing, pizzicato is often performed with the bow held in the hand; as such, the string is usually only plucked with a single finger. In contrast, in jazz, bluegrass, and other non-Classical styles, the player is not usually holding a bow and is therefore free to use two or three fingers to pluck the string.
When cello or double bass players are playing a high-register passage in thumb position, the thumb may be replaced with a finger if there is a sustained note which would otherwise have to be played with the thumb, because the vibrato with the thumb sounds different from finger vibrato. The bony side of the thumb cannot produce the same type of ...