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Ritual sacrifice and self bloodletting were key offerings to Huitzilopochtli. The Aztecs performed ritual self-sacrifice (also called autosacrifice or blood-letting) on a daily basis. [ 17 ] The Aztecs believed that Huitzilopochtli needed daily nourishment ( tlaxcaltiliztli ) in the form of human blood and hearts and that they, as “people of ...
Huitzilopochtli was victorious, slaying and dismembering his sister. Her body was then thrown to the bottom of the hill. As the southern half of the Great Temple represented Coatepec (on the side dedicated to Huitzilopochtli), the great stone disk with Coyolxauhqui's dismembered body was found at the foot of this side of the temple.
The feast takes place in the 15th month of the Aztec calendar and is dedicated to Huitzilopochtli. [14] During the ceremony, captives’ hearts were cut out and their bodies were thrown down the temple stairs to the Coyolxauhqui stone. There, they were decapitated and dismembered, just as Coyolxauhqui was by Huitzilopochtli on Coatepec. [6]
This was said to inspire the Aztecs to rip the hearts out of their human sacrifices and throw their bodies down the sides of the temple dedicated to Huitzilopochtli, who represents the sun, chasing away the stars at dawn. Our age (Nahui-Ollin), the fifth age, or fifth creation, began in the ancient city of Teotihuacan [citation needed ...
The Coyolxāuhqui stone sat at the base of the stairs of the Huēyi Teōcalli, the primary temple of the Mexica in Tenochtitlan, on the side dedicated to Huitzilopochtli. [14] The stone laid in the center of a platform that extended from the foot of the stairway. The temple is dedicated to Huītzilōpōchtli and the rain deity Tlāloc. [7]
It consists of a large staircase leading up to a temple. Like Tenayuca, it is thought that the temple was dedicated to the worship of Huitzilopochtli and Tlaloc . The construction method was probably the characteristic one of successive structures, one on top of the other, and at least four successive time periods have been detected.
Xiuhcoatl was a common subject of Aztec art, including illustrations in Aztec codices, and was used as a back ornament on representations of both Xiuhtecuhtli and Huitzilopochtli. [1] Xiuhcoatl is interpreted as the embodiment of the dry season and was the weapon of the sun. [ 2 ]
Nahua metaphysics centers around teotl, "a single, dynamic, vivifying, eternally self-generating and self-regenerating sacred power, energy or force." [9] This is conceptualized in a kind of monistic pantheism [10] as manifest in the supreme god Ometeotl, [11] as well as a large pantheon of lesser gods and idealizations of natural phenomena such as stars and fire. [12]