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Ten Pieces for Piano , Op. 12 (1906–13) Sarcasms, five pieces for piano, Op. 17 (1912–14) Visions fugitives, 20 pieces for piano, Op. 22 (1915–17) Tales of an Old Grandmother, Op. 31 (1918) Four Pieces for Piano, Op. 32 (1918) Schubert Waltzes (1920) Fantasia on Scheherazade (1926) Things in Themselves, 2 pieces for piano, Op. 45 (1928)
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Prokofiev was a soloist with the London Symphony Orchestra, conducted by Piero Coppola, in the first recording of his Piano Concerto No. 3, recorded in London by His Master's Voice in June 1932. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935; these recordings were issued on CD by Pearl and Naxos. [167]
Cinderella (Russian: Золушка, tr. Zolushka; French: Cendrillon) Op. 87, is a ballet composed by Sergei Prokofiev to a scenario by Nikolai Volkov. It is one of his most popular and melodious compositions, and has inspired a great many choreographers since its inception. The piece was composed between 1940 and 1944.
Prokofiev wrote a short program for the fifth piece in 1941, leaving all the other sarcasms without a program. [ 1 ] [ 3 ] "We often indulge in malicious laughter at someone or something, but when we pause to look we see how pitiful and sad is the object of our ridicule; and then we grow ashamed, the mocking laughter rings in our ears, but it ...
Visions fugitives, Op. 22, is a cycle of twenty piano miniatures by Sergei Prokofiev.The seventh piece was also published for harp.They were written between 1915 and 1917, individually, many for specific friends of the composer, and premiered by him as a cycle lasting some twenty minutes on April 15, 1918, in Petrograd.
Prokofiev originally wrote the music for the ballet Ala i Lolli, the story of which takes place among the Scythians. Commissioned by Sergei Diaghilev , the ballet was written to a scenario by Russian poet Sergey Gorodetsky .
Seven, They Are Seven (Russian: Семеро их) (op. 30) is a cantata by Sergei Prokofiev composed in 1917 for large orchestra, choir, and tenor soloist. It was composed in Yessentuki and Kislovodsk, and the words are taken from the poem Ancient Calls (Зовы древности) by Konstantin Balmont. [1]
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