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Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto. It was recorded during two concerts in 1964 and released on Verve the same year as V6-8600.
Call Me (Blondie song) Call Me (Deee-Lite song) Call Me (Skyy song) Call Me Back Again; Call Me Maybe; Call Me Mr. Telephone (Answering Service) Call Me, Beep Me! The Call (Backstreet Boys song) Callin' Baton Rouge; Chantilly Lace (song) Clouds Across the Moon; Cordelia Malone
These are the number-one albums in the United States per Billboard magazine during the year 1960. From May 5, 1959, until August 1963, separate charts existed for albums in mono and stereo formats. During 1960, those charts were named Mono Action Albums and Stereo Action Albums .
Ad Lib (album) The Al Casey Quartet; All Time Hits; Alone Together (Tony Bennett album) Alone with the Blues (Red Garland album) O Amor, o Sorriso e a Flor; André Previn Plays Songs by Harold Arlen; Anita O'Day and Billy May Swing Rodgers and Hart; Another Opus; Around Midnight; Around the World with The Chipmunks; Art Pepper + Eleven ...
1960s album stubs (6 C, 175 P) This page was last edited on 24 March 2020, at 16:50 (UTC). Text is available under the Creative Commons Attribution ...
Paul Evans (born March 5, 1938) [1] is an American rock and roll singer and songwriter, who was most prominent in the 1950s and 1960s.As a performer, he had hits with the songs "Seven Little Girls Sitting in the Backseat" (his biggest hit, recorded with The Curls), reaching No. 9 on the Billboard Hot 100 in 1959), "Midnight Special" and "Happy-Go-Lucky Me".
"Telephone Man" and "Telephone Line", ELO's song, were back-to-back on the Hot 100's top 40 for two non-consecutive weeks in the summer of 1977. [6] On the strength of the song's hit, she rapidly put together a full album of songs after quickly being signed with the GRT Records label and released her first and only album, First Take ...
The Guardian called the album "a delirious tour de force of quiet- loud bouncy-castle riffs, backwards tape-loops, and trippy narcissistic lyrics." [7] The Stuart News concluded that "Lotion update punk's aggression with singalong tunes and tight musicianship ... their clever lyrics, timely subjects and hipster inclinations remove them from the identikit sameness that robs most modern rock bands."