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How sweet and lovely dost thou make the shame Which, like a canker in the fragrant rose, Doth spot the beauty of thy budding name! O, in what sweets dost thou thy sins inclose! That tongue that tells the story of thy days, Making lascivious comments on thy sport, Cannot dispraise but in a kind of praise; Naming thy name blesses an ill report.
John A. Rea wrote about the poem's "alliterative symmetry", citing as examples the second line's "hardest – hue – hold" and the seventh's "dawn – down – day"; he also points out how the "stressed vowel nuclei also contribute strongly to the structure of the poem" since the back round diphthongs bind the lines of the poem's first ...
Cheney goes on to say that Sonnet 23's purpose is to make a statement about the uses of theater and poetry. 23 illuminates live performance's inability to capture the "integrity" of timid infatuation. [15] Helen Vendler says, "the octave seems to imply that the cause of the tongue-tiedness lies in the psychology of the speaker-poet."
"A Psalm of Life" is a poem written by American writer Henry Wadsworth Longfellow, often subtitled "What the Heart of the Young Man Said to the Psalmist". [1] Longfellow wrote the poem not long after the death of his first wife and while thinking about how to make the best of life.
After he began at the Detroit Free Press as a copy boy and then a reporter, his first poem appeared on 11 December 1898. He became a naturalized citizen in 1902. For 40 years, Guest was widely read throughout North America, and his sentimental, optimistic poems were in the same vein as the light verse of Nick Kenny, who wrote syndicated columns during the same decades.
Lawson gave the team speech in the summer of 2022, unintentionally coining the phrase “handle hard better.” It wasn’t something she went around saying — it happened organically. “We all ...
“You got all these people with this disease who need treatment,” he said. “There’s a medication that could really help us tackle this problem, help us dramatically reduce overdose death, and people are having a hard time accessing it.” The anti-medication approach adopted by the U.S. sets it apart from the rest of the developed world.
The poem was engraved on a single plate as a part of the Songs of Experience (1794) and reprinted in Gilchrist's Life of Blake in the second volume 1863/1880 from the draft in the Notebook of William Blake (p. 107 reversed, see the example on the right), where the first title of the poem The Earth was erased and The human Image substituted. [4]