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The designs are often chosen for sentimental reasons, such as to communicate love or friendship. They can also express creativity and personal beliefs or permanently include a beloved motif ...
Painting by Gottfried Lindauer of a moko being carved into a man's face by a tohunga-tā-moko (tattooist) A collection of kōrere (feeding funnels). Historically the skin was carved by uhi [6] (chisels), rather than punctured as in common contemporary tattooing; this left the skin with grooves rather than a smooth surface.
However, there was a movement to revive the practice as a symbol of female empowerment and of their Ryukyuan cultural heritage. [4] Some people, concerned about the professional ramifications of permanent tattoos on their hands, turned to temporary Hajichi made using fruit-based inks. However, some traditionalists object to these practices. [4]
There are thousands of traditional designs of yantra tattoos, but some of the most well-known and popular include: Ong Phra (Thai: องค์พระ; translation: Buddha's body) - one of the most commonly used elements in Yantra tattooing, but can also be a more complex standalone design. Meant to provide insight, guidance, illumination, etc.
A "Fenian" Claddagh ring, without a crown, is a slightly different take on the design but has not achieved the level of popularity of the crowned version. Claddagh rings are relatively popular among the Irish [11] and those of Irish heritage, such as Irish Americans, [18] as cultural symbols and as friendship, engagement, and wedding rings. [19]
A Samoan woman with malu. Malu is a word in the Samoan language for a female-specific tattoo of cultural significance. [1] The malu covers the legs from just below the knee to the upper thighs just below the buttocks, and is typically finer and delicate in design compared to the Pe'a, the equivalent tattoo for males.
The designs are stunning. These beautiful and intricate works are made by women. They have great intrinsic value and become family heirlooms. They are often given as gifts of love and friendship. They supplanted the traditional giving of tapa cloth on ceremonial occasions such as weddings, funerals and hair-cutting. Tīvaevae / tivaivai is a ...
Symbols including lovers, metal rods, trees, feathers, hands in friendship war and work, masks, moons, and stars are dyed onto ukara cloths. The cloth is dyed by post-menopausal women in secret, and young males in public. Ukara was a symbol of wealth and power only handled by titled men and post-menopausal women. [20]
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