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Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Japan has a system of recycling marks, recycling identification marks (リサイクル識別表示マーク), which indicate and classify recyclable materials. They are similar to the resin identification codes , in that they have surrounding arrows, with text inside to indicate the type of material.
Satsuma ware: 薩摩焼: Satsuma Province: Earthenware, originally a local industry of plain vessels started by Korean potters about 1600. From the 19th century a term for a style of highly decorated ware produced in many areas, purely for export to the West. Seto ware: 瀬戸焼: Seto, Aichi: The most produced Japanese pottery in Japan.
Chinese export porcelain made for European markets was a well-developed trade before Japanese production of porcelain even began, but the Japanese kilns were able to take a significant share of the market from the 1640s, when the wars of the transition between the Ming dynasty and the Qing dynasty disrupted production of the Jingdezhen porcelain that made up the bulk of production for Europe ...
His studio produced high-end Satsuma ware, primarily for the export market. That term was originally coined for artistic painted porcelain from the Satsuma Province. Eventually it expanded to include low-quality porcelain that was mass-produced for export, whereas Meizan was one of the artists who continued the tradition of high artistic ...
This was the period at which modern Satsuma ware was distressed for export as antique, and Pollard considers that, up to 1876 at least, there was truth in the allegation of Frank Brinkley that the Makuzu workshop participated in the fraudulent trade. [10] Johannes Justus Rein visited the business in the mid-1870s. [11]
Besides differences in the schema, there are several other differences between the earlier Office XML schema formats and Office Open XML. Whereas the data in Office Open XML documents is stored in multiple parts and compressed in a ZIP file conforming to the Open Packaging Conventions, Microsoft Office XML formats are stored as plain single monolithic XML files (making them quite large ...
This mark is used by the Recording Industry Association of Japan (RIAJ) on music publications to indicate that rental is prohibited. [3] Depending on the format (single or album), and whether the content is of Japanese or foreign origin, the rental ban can last from three days up to one year after the release date, at the record company's ...